Bloodhounds pd-4 Page 5

  "What's yours?" Shirley-Ann asked.

  Polly seemed derailed by the suddenness of the question. "I haven't really asked that of myself. I have my own thoughts why the others continued to come. I suppose I like being at the center of something. The others seem to regard me as the mainstay. And I do enjoy crime novels."

  "And Milo? Why does he come?"

  "For the companionship, I suspect, though he is the sort of man who joins everything he can. He's a long-standing member of the Sherlock Holmes Society, and Lord knows how many other clubs. The Agatha Christie, the Dorothy Sayers, the Edgar Wallace, the Saint. He belongs to them all, and others, I'm certain."

  "Has he given up work?"

  "He's a retired civil servant."

  "I thought he must be."

  "Milo is single. Not overattracted to women, I get the impression, though he's perfectly sweet to us ladies, as men like that usually are. He lives alone, on one of those narrow-boats on the canal. He calls it the Mrs. Hudson, after Holmes's housekeeper. A beautiful gleaming boat almost entirely covered in pot plants. We've had a couple of Bloodhound meetings on board. In fact, we had the last Christmas party there."

  "He's there through the winter as well?" said Shirley-Ann in surprise.

  "Oh, I think a narrowboat can be quite snug in the cold weather. It certainly was when I was aboard."

  "I wouldn't care to live on a boat. You never know who's walking along the towpath, do you?"

  "It takes all sorts, as they say. Did you find any like spirits among the others?" Polly probed, all too obviously.

  "Jessica went to some trouble to welcome me."

  Polly said stiffly, "I noticed that you went for a drink with her after the meeting."

  "Just while the rain stopped, yes."

  "She is quite an asset to the club," Polly admitted, but grudgingly. Her habitual warmth of spirit seemed suddenly to have cooled, and Shirley-Ann realized that this was what she must have been so agitated over. For some unknown reason it had been a mistake to be seen leaving with Jessica.

  "She's up with all the latest books," Shirley-Ann remarked, trying to be neutral.

  "Yes." Polly took a sip of her coffee, and the blue eyes watched over the rim. "And she can be helpful at taking the steam out of discussions when they get overheated. She has a sharp sense of humor, which I like. She's very bright, I'm sure of that."

  Out with it, then, thought Shirley-Ann. How did she get up your nose?

  Polly was saying, "She runs that art gallery in Northumberland Place."

  "She told me. The Walsingham."

  "I think she part-owns it."

  "I" got that impression."

  "We all have a standing invitation to drop in for a cup and a chat." Polly was still testing the water.

  "She did mention it."

  "It's not for me to interfere," Polly went on. "It's no business of mine, but I think you should be careful. Jessica is deeper than she first appears."

  "Deeper-what does that mean?"

  "I'd rather not say any more than that." Her gaze shifted away, over Shirley-Ann's shoulder. "What's going on over there, do you suppose?"

  Shirley-Ann turned. A policeman in uniform, rather senior from the look of his uniform, was standing with two other men in the passageway that leads to Broad Street. They were taking a lot of interest in the roof, or possibly an upper window of the building on the right.

  "That's the Postal Museum," said Polly.

  "Yes. When you say Jessica is 'deep,' do you mean she has secrets, or something?"

  Polly's mind was no longer on Jessica. "I wonder if there's been a break-in. Some of those stamps are valuable. Have you ever been in?"

  "Ages ago."

  "What a shame, if someone has broken in. It's a lovely little museum, entirely staffed by volunteers, I believe."

  "It might be nothing. They could be checking the security."

  "Let's hope that's all it is." Polly looked at her watch. "I have enjoyed our chat. And you will come next week, won't you? It's so encouraging to have a new member, especially such a well-read new member."

  "I'll be there if I possibly can."

  "Wonderful. I'll pay for this. I insist, my dear. And I can't help jt-I'm going to ask the policeman what's happened."

  "A case for Inspector Maigret, perhaps," said Shirley-Ann, but the remark wasn't heard. Polly had dropped a five-pound note in the dish that came with the bill and was striding across the yard.

  After their coffee together, Shirley-Ann liked Polly a little less than she had on first acquaintance.

  Chapter Eight

  An air of urgency was gusting through Manvers Street Police Station when Peter Diamond and Julie Hargreaves returned from Saltford. Constables and civilians carrying faxes, files, and clipboards hotfooted it along the corridors. Phones were cheeping like cicadas. Diamond stopped a chief inspector and asked, "What's up? Everyone's behaving as if King Kong dropped in."

  "It's the ruddy media," he was told. "They won't leave us alone."

  "What media? The Bath Chronicle?"

  "The nationals. Mainly the tabloids. Not to mention radio and TV. They're driving John Wigfull spare."

  "Why? What do they want?"

  "A statement on the break-in. He's due to give one shortly, but they won't wait."

  "What break-in?"

  "Where have you been all day? Someone did the Postal Museum last night and pinched the world's oldest stamp."

  "In Bath? I didn't know we had the world's oldest stamp."

  The chief inspector managed a weary grin. "We don't anymore.

  It emerged that the world's oldest stamp was not normally kept in the Postal Museum, but had been loaned by the owner (whose identity was a secret) for a special exhibition. It was in the city of Bath on May 2, 1840, that the Postmistress mistakenly date-stamped an unknown number of letters bearing the new Penny Blacks four days before the service was due to start. An envelope bearing the famous stamp and date had survived for over a century and a half.

  "What's the value?"

  "Only two are known to exist. Covers, they call them when they mean the entire face of the envelope. One like it was sold in auction in 1991 to a Japanese collector for one million, three hundred and fifty thousand pounds. It's in the Guinness Book of Records. The biggest price ever paid for a postage stamp."

  "Insured?"

  "Their people are here already."

  "What was the security?"

  "They have video surveillance and strong locks on the doors. The stamp was on the upper floor in a special cabinet screwed to the wall. The thief got in through a window upstairs."

  "Where was this?"

  "You know that passage leading up the side of the building, from Broad Street to Shires Yard? He had cutting gear to break into the cabinet. The SOCOs are saying that he left by way of the window he forced. It was a sash window. He must have used a ladder."

  "And nobody noticed?" Diamond said in disbelief.

  "The theory is that he posed as a window cleaner and did it in broad daylight between seven and nine in the morning. As everyone knows who is out early, a small army of window cleaners is at work every day before the shops open, washing the windows. He could stroll up Broad Street with a ladder and a bucket, and no one would give him a second look. He'd have his tools in the bucket covered with a leather."

  "Cool."

  "John Wigfull doesn't think so. We're taking a lot of flak from the broadcast media, and the papers are going to have a field day tomorrow. The point is that we had a team guarding some painting in the Victoria Gallery, and no one seemed to know about the stamp."

  As soon as they were alone, Diamond warned Julie that if asked, she should say she was working flat out on the Saltford bank murder. "You can't be spared, even for half a day, right? You've got all those statements from the staff to check, and it's opened up several new lines of inquiry."

  "Has it?"

  "Well, if you want to spend the day mopping John Wigfull's
fevered brow…"

  He felt in his pocket for the scrap of newspaper he had tucked away that morning. After reminding himself precisely what he had written, he went in search of Wigfull. The man of the hour wasn't difficult to find in one of the offices on the first floor. All the activity was focused there. Faxes and files were going in at a dizzying rate. The chief inspector was entrenched behind a large desk heaped with paper. His body language- the hunched look as he talked into a phone-said everything Diamond expected. One hand was curled around the back of his head. The big mustache was lopsided, as if it had partially collapsed, the brown eyes glazed and bloodshot. You had to feel sympathy.

  A sergeant Diamond scarcely knew said unnecessarily, "He's terribly busy, sir. We're giving a press conference shortly."

  "That's what this is about."

  Wigfull put down the phone, and immediately it started beeping again. Diamond's hand was on it first, keeping it in place.

  "Half a mo, John."

  "I'm about to meet the press," said Wigfull.

  "I know. Have you thought it through?"

  "Thought what through?"

  "The statement you're about to make."

  "Certainly. I'm not wet behind the ears."

  "May I read it?"

  "It's being photocopied right now. You'll get one if you want it."

  "What do you intend to say about Bumblebee?"

  Wigfull looked into the distance like a camel unwilling to move. "I won't be mentioning Bumblebee. The Turner's got nothing to do with this. I've no doubt that we prevented a possible crime in the Victoria Gallery, but there's no connection with the loss of this stamp."

  "I think you'll find there is, John, and I think the press boys will be onto it. They're not slow. You're going to face questions, so you might as well have something ready to say."

  "About the Turner?" Wigfull was still uninterested.

  "The message we had on the radio this morning." He fished it from his pocket again and read it to Wigfull.

  "J.M.W.T.

  Surrounded by security.

  Victoria, you challenge me.

  I shall shortly come to thee.

  Wigfull stared at him without a glimmer of comprehension. "Well?"

  "Isn't it clear to you?" said Diamond through the din made by the phone. "We were set up, John. The Turner was a distraction. The Victoria he was talking about wasn't the name of the gallery. It was the stamp. The Penny Black with Queen Victoria's head on it."

  "Do you think so?" Wigfull said. His weary eyes held Diamond a moment, slipped away, and came back to him twice as large. " 'Victoria, you challenge me.' My God. Why didn't I think of it?"

  "There's nothing to be ashamed of," Diamond generously said. "It could have happened to any of us. So easy to get bogged down in one line of inquiry."

  "When did you put two and two together?"

  "A few minutes ago, when I heard about the break-in."

  "The bastard's made a laughingstock of me. He told us what he was planning, and I didn't see it."

  "Which is why you should be boxing clever when you meet the press. They will have cottoned onto this, John."

  Wigfull raked his fingers across his scalp. "How would you handle it?"

  "Tell them it's no ordinary break-in. It was well planned and boldly carried out. You're dealing with a smart aleck who takes pleasure in announcing his plans, but in cryptic form. Take them through the rhyme showing how devious it was. That 'Victoria' could have referred to half a dozen locations in Bath. Tell them this aleck is not so smart as all that, because he won't be able to sell the stamp. It would be like trying to unload the Mona Lisa."

  "Good point," said Wigfull. "What does he hope to do with it-demand a ransom?"

  "Probably. But I wouldn't open that can of worms with the press, even when they suggest it. If you'll take advice from someone who has dealt with those guys, don't be tempted to speculate on what might happen next. Deal with the facts as known. Tell them a full-scale investigation has been launched, and leave it at that."

  "Peter, I appreciate this," said Wigfull.

  "Forget it."

  "No, I mean it."

  "All right. Don't forget it until you've bought me a drink."

  Chapter Nine

  In the window of the Walsingham Gallery were two large oils of clowns painted in such a way that the makeup didn't entirely mask the features. The artist had sacrificed some realism to reveal the character of the men and women in performance, and it was skillfully done. It took you a moment to see through the — greasepaint, but once your eye adjusted to the effect, you could tell that one clown was grinning under the painted smile and another was scowling; one appeared to be giving another, a woman, a predatory look; she was staring out, aware of his interest, yet disdainful. The idea was not remarkable, but the artistry was. Shirley-Ann spent some time studying the canvases before going in.

  Instead of Jessica, a man popped up from behind an arrangement of blue and yellow irises on a desk at the rear of the gallery. "Hi. Just looking around, or is there anything in particular you wanted to see? He was dressed casually for the job, in a check shirt and black jeans. His teeth were so regular that they must have been fixed. An actor? Shirley-Ann didn't recognize him from television, but the dark curls and brown eyes would have suited him for a role as a heartbreaker in a soap.

  "Actually, I just called in to see Jessica."

  "Shopping," he told her. "She won't be long if you don't mind waiting."

  Something in his manner suggested he had a more lofty status than a mere minder of the gallery. Shirley-Ann wondered if this could be Barnaby, the husband. She told him she hadn't come about anything important. She would call back another time.

  He assessed her with a long look. "You wouldn't be Shirley-Ann Miller, by any chance?"

  She felt the blood rise and redden her cheeks. "How did you know?"

  "Jess was talking about you. You just joined that coven she belongs to. The crime fiction people. What is it the Baskervilles?"

  "The Bloodhounds. I wouldn't call it a coven, but how did you recognize me?"

  "She said you might call in sometime."

  "Yes, but of all the people in Bath…" An uncomfortable thought had come to her. Had Jessica told him about the kinds of clothes she wore? Was it so obvious that she dressed out of charity shops?

  "We don't get all the people in Bath dropping in and asking for her by name. I know most of the regular clients here." He stepped from behind the desk and toward her with right hand extended. "I'm known as A.J., and don't ask what it stands for, because I don't much care for the name I was given." His hand was cool, the grip firm. "I'll put the kettle on, unless you want to sample the cheap sherry she keeps."

  "No, really," said Shirley-Ann, telling herself that he couldn't be Barnaby, the husband, unless Jessica used the name he didn't care for-which wouldn't be very loyal.

  "Really what?" said A.J. "Really tea or really sherry or really you're in a frightful hurry? — because that patently isn't true if you dropped in for a chat with Jess. Sweet discourse makes short days and nights, so the saying goes, and I know of no one it fits better than Jess. My God, wouldn't she be flattered to hear that from me, always accusing her of being a motormouth?"

  He was leaving her in no doubt that he knew Jessica extremely well. Personally, if Shirley-Ann had owned a gallery she wouldn't have left an overbearing man like this in charge.

  "All right," she said. "Tea will be nice if you really think she won't be long."

  "Take a look around," he said, as he stepped toward the alcove where the kettle must have been kept. "See what strikes you as worth the asking price. Between you and me, we have a new exhibition coming up later this week. You should come to the preview if you want to buy."

  She didn't care at all for that male assumption that women would do as they were told, so she went straight to a tall-backed Rennie Mackintosh chair and tested it for comfort, still wondering what A.J.'s role was in the business,
and in Jessica's life.

  When he appeared again and saw her in the chair he said, "Careful, that's where you're supposed to sit to write the check." He handed her the tea. It came in a white porcelain cup and saucer, and there were two tea leaves floating, as if to let her know that he hadn't used a teabag. "She'll be back any second. She can smell tea brewing a mile away."

  He was talking like a husband, but Jessica had definitely said she was married to someone called Barnaby. How could you get A.J. from that? Shirley-Ann tried some guesswork of her own. "You look like a painter."

  "How come?" he said. "Spots on my jeans-or did I leave a brush behind my ear? Yes, I paint figures."

  "The clowns in the window?"

  "Christ, no. That isn't my style at all. I do nudes, but very Bath Spa, very tasteful, heavily shadowed over the naughty bits. She' has three upstairs, if you're interested. They retail at between eight hundred and a thousand. Two years back I couldn't keep up with the demand, but everything went flat in the recession, including my nudes." He flashed the immaculate teeth. "Joke."

  "So you combine painting with working in the gallery?"

  "No. I don't work here. Just hold the fort for Jess on occasions. She's stuck with it all day, poor duck, so if I'm passing I look in and let her get some air. You're as hooked on crime as she is, I hear."

  "Crime fiction," Shirley-Ann made clear.

  "Jess buys books by the yard. You've got to find something if you're in here every day sitting on your butt. She doesn't get all that many callers. And about one in ten is seriously into art. Correction, One in twenty. Some people come in to ask the way to the nearest loo, for pity's sake. Or in the hope of making a killing with some faded print of The Stag at Bay that they picked up for a couple of quid in a car boot sale. Soul-destroying. But even that's better than no visitors at all. She can spend hours in here alone. Which is why she reads the Sara Paretskys and the Sue Graftons. The thickeared action whiles away the time."